Subham Patar Abstract In the mid-1990, the film critics acknowledge that “a film draws on a combination of visual, aural, and verbal signifiers.” Film as a literature is based on the comparison between the structure of verbal language and the visual imagery in the cinema. But Aditya Vikram Sengupta’s Bengali feature film Asha Jaoar Majhe […]
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Vijay Tendulkar’s Kamala: A Pathetic Picture of Women in Indian Society
Shovan Dhibar Abstract Since the Vedic Age women remain under the shadow of men, the dictator of the then society. With almost same ability and talent they were subdued with the ways of rituals, manners and religious workings. They are learnt and understood that they are nothing but the shadow of men whose only divine […]
An Intensive Study of Profound Feeling: Graceful Dust
Soutik Sen Poetry is perhaps the most difficult, mysterious enchanting and uncertain expression of human feelings and emotions that can encapsulate an entire universe in its brief periphery. Naturally it is really a Herculean task to critically appraise a book of poem. A book of poem is like a closed envelop, which if opened, can […]
A Quest for True and Selfless Love: In the Perspective of Kamala Das’ My Grandmother’s House
Arindam Mukherjee Abstract The general critical opinion regarding the poetry of Kamala Das is that she is obsessed with love and rather than finding salvation in art, her poetry speaks of continuing disappointments in love. As a confessional poet, she writes about sexual frustration and desire, of the suffocation of an arranged love-less marriage, of […]